Seven Thinkers
About Me
- Name: Brady Kelso
- Location: San Diego, California, United States
I've taught English in San Diego City Schools for the past 25 years. I've taught at Mann Middle School, Serra High School, Muirlands Middle School, Lincoln High School, and Crawford High School. I currently teach English to freshmen and seniors at Scripps Ranch High School. I developed and taught English Methods for twenty years at San Diego State University before "retiring" in 2004.
Monday, May 22, 2006
Based on your reading, what effect does Sarah have on Charles? You've seen how he relates to Ernestina, but what is it about Sarah that obsesses and possesses him? Are they an equal match? At this time, does Sarah's character remind you of other literary characters?
Sunday, May 21, 2006
Journal 6: Ernestina Vs. Charles
What, in your opinion, is the relationship between Ernestina and Charles? What does she see in him? Likewise, what does he see in her?
Thursday, May 18, 2006
Journal 5: John Fowles Website
I would like you to visit a great website dedicated to John Fowles. Be sure to read through the biography of the author and a transcript of his interview with Melvyn Bragg. Explore some of the links to find out about one of our century's great British authors. Then, in a page of bullets, jot down some of your findings.
Website: http://www.fowlesbooks.com/
Website: http://www.fowlesbooks.com/
Tuesday, May 16, 2006
Journal Entry 4: Great Lines from The French Lieutenant's Woman
What I love about this novel, and John Fowles in particular, is his amazing use of language. Like Hardy, Fowles gives us memorable sentences that sing out--both in terms of their style and their substance. Here are a few--with chapter numbers in parentheses:
1. "Her father was a very rich man; but her grandfather had been a draper, and Charles's had been a baronet." (2)
2. "Charles felt immediately as if he had trespassed; as if the Cobb belonged to that face, and not to the Ancient Borough of Lyme. It was not a pretty face, by any period's standard or taste. But it was an unforgettable face, and a tragic face." (2)
3. "But for Charles, and for almost all his contemporaries and social peers, the time signature over existence was firmly adagio." (3)
4. "There his tarnished virginity was soon blackened out of recognition; but so, as his father had hoped, was his intended marriage with the Church." (3)
5. "He had, in short, all the Byronic ennui with neither of the Byronic outlets: genius and adultery." (3)
6. "Most British families of the middle and upper classes lived above their own cesspool. . . ." (4)
As you read this delightful novel, keep on the lookout for great sentences that dazzle your intellectual senses. Mark them down or place them on a post-it note.
For this entry, have at least 10 key lines (with a parenthetical reaction to the line--in essence, what you like about the line). Be sure to cite the page number where you found the line.
1. "Her father was a very rich man; but her grandfather had been a draper, and Charles's had been a baronet." (2)
2. "Charles felt immediately as if he had trespassed; as if the Cobb belonged to that face, and not to the Ancient Borough of Lyme. It was not a pretty face, by any period's standard or taste. But it was an unforgettable face, and a tragic face." (2)
3. "But for Charles, and for almost all his contemporaries and social peers, the time signature over existence was firmly adagio." (3)
4. "There his tarnished virginity was soon blackened out of recognition; but so, as his father had hoped, was his intended marriage with the Church." (3)
5. "He had, in short, all the Byronic ennui with neither of the Byronic outlets: genius and adultery." (3)
6. "Most British families of the middle and upper classes lived above their own cesspool. . . ." (4)
As you read this delightful novel, keep on the lookout for great sentences that dazzle your intellectual senses. Mark them down or place them on a post-it note.
For this entry, have at least 10 key lines (with a parenthetical reaction to the line--in essence, what you like about the line). Be sure to cite the page number where you found the line.
Monday, May 15, 2006
Journal Topic 3: The Chapter Epigraphs
In keeping in the tradition of the Victorian Novel, John Fowles decided to start each of his chapters with an epigraph. I hope that you're reading them (before and after you read the chapter). These epigraphs add a new dimension to the novel, sometimes distancing it in older times, sometimes as a commentary on some aspect of the chapter.
In this journal topic, take what you feel is one of the more interesting "epigraphs" from one of the chapters and study it carefully in relationship to its chapter. Then, talk about what the epigraph adds to the meaning of the chapter as a whole. Does the epigraph serve as a commentary on chapter? Is its use ironic? What, in essence, is its function?
You'll know when you come across an epigraph that works for you (and that sheds light on the chapter), so keep this topic in the back of your mind as you're reading through the novel.
In this journal topic, take what you feel is one of the more interesting "epigraphs" from one of the chapters and study it carefully in relationship to its chapter. Then, talk about what the epigraph adds to the meaning of the chapter as a whole. Does the epigraph serve as a commentary on chapter? Is its use ironic? What, in essence, is its function?
You'll know when you come across an epigraph that works for you (and that sheds light on the chapter), so keep this topic in the back of your mind as you're reading through the novel.
